I have fever dreams, and a lot of the work I make is through these fever dreams. The fact that my house already has a title was just one of those dumb things that are always around where you’re like, Oh, why do I need to be conceptual when this life that I’m living is already impregnated with concepts? About 14 years before I moved in, there was a spiritualist who lived here, and that was his business. The show is called By Faith because there’s a sign that says that on the door to my apartment. I wanted to do some weird, strange show that was a little bit like a Fassbender film meets Pee-wee’s Playhouse. So I proposed creating a TV show about me living in this house during COVID that I’ve been at for ten years. I had been a little bit fatigued by materials and objects. When the Kitchen asked me to move into the Queenslab location for a residency, there was so much space. Performance view, the Kitchen at Queenslab. Baseera Khan, ‘By Faith,’ September 20, 2020. Curbed caught up with Khan in their kitchen after they had returned from a residence at Lux Art Institute, where they prepared pieces for their Brooklyn Museum show.Īmy Sillman and Baseera Khan. The backdrops from the show, which were large-scale images of rooms in their home, also took on new forms in another show. The rehearsals and recordings of the show were livestreamed by the Chelsea art space t he Kitchen, and Khan is currently fundraising to film a pilot. The show collapsed the boundaries between the isolated domestic life of the early-pandemic era with the (sometimes) socially rich online one. Last fall, they filmed a treatment for a television series, By Faith, based on intimate conversations with friends such as artists Vaginal Davis and Munira Lokhwandala in a reconfigurable set that mirrored their own apartment. Along with work from the past five years, they are presenting new photography and sculpture, including photographs inspired by the museum’s Islamic-art collection and a series of Day-Glo chandelier sculptures that reference Khan’s family’s collection of textiles. On October 1, they opened their first major solo exhibition at the Brooklyn Museum, “ I Am an Archive,” as the winner of the UOVO prize for emerging Brooklyn artists. Since then, Khan’s conceptual practice has continued to use performance, fashion, installations, textiles, and sound to deal with concealment, state violence, surveillance, and the pitfalls of identity politics. This ritual performance was part of IAMUSLIMA, their first solo show at Participant Inc., which explored representation, self-censorship, and assimilation as a Muslim American, a femme, and an immigrant. In a Lower East Side gallery several years ago, Baseera Khan washed their face in black chalk dust and climbed a wall implanted with holds cast from their own body - an ankle, a knee, a bent elbow filled with gold chains and hair. Baseera Khan, ‘By Faith,’ September 11, 2020.
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